Thursday, 23 June 2005

Once In A Lifetime - Manchester MEN - June 2005






Hot, Hot, Hot!

Summer's here and the time is right for good old fashioned rock'n'roll.

The show is billed as "Once In A Lifetime" and one can't help but wonder what anarchy might have ensued had this tour happened 30 years ago. Teenage girls might have achieved the sort of overthrow of society punks dreamed of.

The Bay City Rollers - The Osmonds - David Essex - David Cassidy

Any one of these acts could have (actually, did) fill venues twice, three times this size back in the first half of the decade that taste forgot and here they are on one bill; a bit older, a bit greyer, a bit wrinklier (despite botox), not much wiser. Let's rock...

Les McKeown, for me, was the Rollers. See, I wasn't a wee lassie, my primary school self actually liked the music and Les was the singer - he was the band.

Today he's surrounded by a new band - they're all much younger than him and (unlike his previous cohorts) can actually play. We get a package of hits from Summerlove Sensation and Saturday Night to Bye Bye Baby by way of a somewhat unexpected medley of Shang-a-Lang with Deep Purple's Black Night (obviously included to give the guitarist a chance to show off his considerable skills).



Les' voice isn't what it used to be - years of abuse (he's up on drug charges after this tour) have robbed him of his range so he leaves the top notes to the backing singers and the audience. I suspect I'm the only person who notices this.

Great start.

A quick change-over and a familiar chant starts.

"We want The Osmonds!"

I was never really a fan. I liked Jimmy (he was the same age as me) and Crazy Horses, but all the lovey-dovey stuff made me want to pull the legs off spiders. Tonight, thankfully, there's no Donny or Marie, just the moshing part of the family.

OK, a bit of an exaggeration, perhaps, but compared to Puppy Love or Morning Side Of The Mountain, opener Having A Party is speed metal, baby!

Merrill takes stage front as current family patriarch - he looks remarkably like Kenny Rodgers these days - and is flanked by Jimmy and Wayne on flame-throwing guitars (not quite Ace Frehley, you understand, but credit for the showmanship) while Jay pounds away on drums.



The set includes all the hits (including ones I'd managed to expunge from memory like Goin' Home). Down By The Lazy River is every bit as cheesy as you remember and the boys look just like those evangelists on cable telly. Be afraid, be very afraid.

Having gone out of their way to annoy me (by making me sing along, goddamit!) they then excel themselves by giving us a drum solo. I haven't seen a drum solo in years! And now I've seen the Osmonds do one! Even weirder than shang-a-lang-a-black-night!

Of course, they finish with Love Me For A Reason and Crazy Horses. Better than I expected, enjoyable if not exactly likeable.

David Essex. The heartthrob it's OK for straight blokes to like. He was one of my first heroes and was the act I was most looking forward to tonight.

What a bloody set - Rock On, Lamplight, Gonna Make You A Star, Hold Me Close, Oh What A Circus, Silver Dream Machine, Imperial Wizard (complete with rather barbed comment on the War On Terror), Winter's Tale...



He even managed to fit in a new song, It's Gonna Be Alright, to prove he's still an awesome songwriter.

Stunning, simply stunning.

Manchester, please welcome onstage, from the United States of America -   David.   Cassidy.

Bedlam.

OK, I've taken MrsD to see her childhood hero a couple of times before, so I know what to expect.  It still takes me by surprise, though. You can taste the oestrogen as the years fall away from fifteen thousand 40-somethings and they are transported back to a time before pelvic floor exercises and HRT.

David Cassidy works the stage and the audience like an old pro - he's Frank Sinatra, he's Shirley Bassey, he's Louis Armstrong all rolled up into one (slightly nipped and tucked but still horribly well-preserved) package.



For all the stars who went before, this is his audience - they hang on his every word, eat from his hand, jump at his command.

The music is almost incidental - Cherish, Daydreamer, Could It Be Forever (with near-hysteria accompanying the "but..."), I Woke Up In Love This Morning...

He reads his audience well and plays the "normal" version of I Think I Love You rather than the down-tempo mix then launches into a long story about his friend John Lennon before covering Blackbird.

Now, I'd have dropped the chat and included Some Kind Of A Summer but then, I'm a greedy bugger.

He might've started out as a manufactured pop star, but Cassidy has become the consumate showman - one of the genuine greats of the age.

And after the show? Well, for all I said about the Osmonds, Love Me For A Reason is the song I'm singing in the car home!


David Cassidy with the Osmonds - Pic from Merrill Osmond's website

Wednesday, 17 December 2003

The Lord of the Rings - The Return of the King

The Lord Of The Rings : The Return Of The King

A Review, by T. Degenerate esq.




Let me put my cards on the table. I was a Subbuteo player, not a D&Der. I rate the original Star Wars trilogy as the ultimate fantasy experience and, though I thoroughly enjoy Terry Pratchett, I don't get the Tolkein references because I've never read the LOTR.

So, how am I to react to Peter Jackson's trilogy?

The first film was, well, dull. We're walking, and we're walking, and we're walking. For fuck's sake do something. OK, the wraiths were pretty cool and the character development was spot-on but, really, number two better pick the pace up a bit.

The Two Towers was more like it. A finely-tuned balance between plot and character development with some genuinely jaw-dropping scenes. Still not exactly my pint of Stella, but enjoyable hokum nonetheless.

And so we come to The Return of the King. We're promised a feast of storytelling which will tie it all together. We're promised that we won't be disappointed.

So, when did Alastair Campbell get the PR gig, then?

Opening with Gollum's transformation was OK if a bit out-of-place (was this part of the narrative elsewhere in the books, I wonder?). Then we're walking again.

Y'know, I can't actually remember what happened when last night? Stunning visuals for sure (with the exception of one scene which I'll come back to) and, yes, I suppose the story did unfold in a sort-of-logical way, but my over-riding impression when the lights went up was that it was the duff stuff that had stuck in my mind.

1) Battle of Big Cliff-Side City. Oh look! The orcs are knocking the walls down with rocks! Don't they fall easily? Why don't they just knock out the bottom layer and watch everyone get buried in the rubble?

2) Battle of Big Cliff-Side City (contd). Looks like the end for our heroes. What's that? Oh, it's Rohan and his, what did he say? 6000 men? Against a quarter of a million ugly orcs on angel dust? Not going to last long, is it?

Huh? WHY THE FUCK ARE THE ORCS RUNNING AWAY?? JACKSON YOU FUCKER, EXPLAIN THIS TO ME!!!! No? Oh well...

3) Battle of Big Cliff-Side City (contd contd). Ah! The orcs' reinforcements (some sort of buccaneer creatures) have arrived! Or have they? No! It's Aragorn and Legless and a cast of thousands of Mummy Returns extras. So, they hijacked the ships did they? When? How?? WHY WON'T YOU TELL ME, PETER????

4) Battle of Somewhere Else. By 'eck, lad, these flying dragonny things are funky and they're making mincemeat out of our heroes! Ah, but HERE COME THE EAGLES! THE EAGLES ARE COMING!! Gonna scare off Sauron's hoards with a 35 minute version of Hotel California, no doubt. Please, please can someone please explain the significance of the eagles???

5) Meanwhile, in Mordor. Oooh!! FUCKING big spider!!! See that, love? When you get one like that in the bath then you can come running out screaming for me to get rid of it (but not kill it coz that would be cruel). Good scene.

6) Mount Doom. Yeah, yeah, so Frodo and Sam get rid of the ring then do a mean Indiana Jones impression to get out of the mountain. They run out of the door and jump clear of the lava flow and.... Hang on, how much did the special effects cost?? Coz that jump scene was the most obvious blue-screen since the seventies. Trust me - watch out for it, I half expected Judith Hann to come on and explain this "wonderful new technology".

7) Big Eye Thing. That's Sauron? Scarey my arse, it's not like he's going to hide under your bed, is it?

8) Maybe Big Cliff-Side City, maybe Somewhere Else, can't remember. Pretty bird (Rohan's daughter?) and annoying Hobbit killed monster awfully easily. If he'd been an end-of-level boss in Tomb Raider then he'd have lopped off a Hobbit foot at least.

9) The End. Nice scene at Big Cliff-Side City. Aragorn's King!! Everyone loves Hobbits!! Aaaawww!!

10) No, Wait, There's More. Back to the Shire and the SuperHobbits drive in like they've been off camping for a weekend. No ticker-tape welcome. I don't think anyone even bought them a drink. Ungrateful fucking Hobbits, WE SAVED YOUR FUCKING ARSES FROM THE BIGGEST, BADDEST, erm, EYE THING EVER AND YOU WON'T EVEN BUY US A PINT?? Ah, but Sam's gonna shag that little bird he fancies. Oh look, they're getting married. They all lived happily ever after, The End.

11) Oh No, My Mistake. Yeah! Guest appearance by Bilbo!! He's going away with the Elves. So's Gandalf. So's Frodo. erm, why? PETER!! YOU MISSED A BIT OUT AGAIN, DIDN'T YOU?? Bye then. The End.

12) For Fuck's Sake, It's The Film That Never Ends. It's getting like Bill Withers' Lovely Day. Stop it now please, OK, Sam's got babies, he's going to live happily ever after.

TITLES

erm, Peter, I don't mean to be a pain or anything, but WHAT HAPPENED TO THE DWARF??? Blame Tolkein if he didn't give you any clues, but you showed us what happened to everyone else, man!!??

CONCLUSION:

The fanboys'll love it, it won't win any converts.

Biggest difference between LOTR:ROTK and Love, Actually?

I enjoyed Love, Actually

Christmas is all around me, come on and let it snow...